PAUL M. ant ant ant ant ant seven
March 16, 2016 § 2 Comments
A FAVORABLE EXCHANGE RATE
fast river
white seeds
cross without me
chance of showers
a frayed rope
linking the mules
redwood stumps
some color
left in the sky
winter pruning
she changes
away from the window
snow outside
everyone else rises
to receive the host
hard winter ground
we argue about
the constellations
this year’s paintbrush
a path between
granite moraines
meeting the neighbors
the shapes of things
hidden by snow
warring countries
separated
in the botanical garden
spring buds
the creek over boulders
of every size
snow-capped peaks
loom across the border
a favorable exchange rate
seventh full moon
men at the bar
watching the door
string from
a pigeon’s foot
March wind
talk of rain
I find myself
in the old neighborhood
first sunburn
an ant
on the lily arrangement
returning warmth
the first bird
into the house
war in the news
new leaves on a tree
my grandfather planted
summer dusk
the awkwardness
of a first guest
manzanita lanterns
a whole day
for idleness
distant thunder
the pigeon coop
ajar
flowering maple
the gait of horses
after a long winter
rustling grass
bundle of letters
from an old lover
earthquake weather
the pliant body
of a sea cucumber
heat wave
I count
the remaining eggs
red maple leaves
a mosquito bite
scratched open
winter nears
a beach full of shells
no two the same
crescent moon
a homeless man
asks about Bob
chill in the air
fire-blackened needles
still on the pine
winter night
a hard crumb
under the sheet
even after a snowfall
a gap in the wall
from a missing stone
ant ant ant ant ant four
July 15, 2013 § Leave a comment
“In many ways the culmination of my original vision for the journal.”
ai li, Ronald Baatz, Peter Bakowski, Michael Basinski, Guy R. Beining, Ed Bennett, John M. Bennett, Ernest J. Berry, Diane Borsenik, Jason Sanford Brown, Tom Clausen, MTC Cronin, Bill DiMichele, A. di Michele, Dennis H. Dutton, John Elsberg, Crag Hill, Gary Hotham, Dorothy Howard, Jim Kacian, W. B. Keckler, M. Kettner, Jim Leftwitch, Shawn Lindsay, Paul Long, paul m., Robert Major, Errol Miller, Sheila E. Murphy, Dan Nielsen, Jim Normington, Simon Perchik, Anthony J. Pupello, George Ralph, William Ramsey, Dennis Saleh, Hiroaki Sato, Sam Savage, Caroline Steinhoff Smith, John Stevenson, Michael Dylan Welch, Arizona Zipper.
VARIOUS ARTISTS ant ant ant ant ant four
January 15, 2012 § 1 Comment
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pagan tulip crescent often spot remove meadow
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Michael Basinski
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racked up in splendid blood
bones of the ryeman
in the thin wings of grass
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Guy R. Beining
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sigh lens hair
(retensions)
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hand around you faceless
daughter blue pond and
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heaving
other clouds
“my name”
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John M. Bennett
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molding oranges
numbers radiate from
a digital clock
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Jason Sanford Brown
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One little nail-hole
treasured as the gateway
its mystery breath
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Bill DiMichele
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waiting for her to stick her tongue in my mouth an autumn sunburn
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Chris Gordon
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most of beauty is iceburgs
the topic crowds with horror
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late patterns of thought
media pretends
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Crag Hill
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clear winter day
over the radio
the first bombs
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Dorothy Howard
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3am
divining god’s law
from raw onions
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gazing on
her sleeping back
sounds of rain
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Jim Kacian
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cattle sleeping
moonlight on their backs
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a cold scream
narrowly occult
ridge draped in dusk
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M. Kettner
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spitting lit matches
into gasolined brambles
shave till opening
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Buspar plural plural
speaking Farsi backwards
on the phone
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Xie Kitchin
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long-lit afternoon
a cut
unhealed
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ai li
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road salt
tumbling in the vacuum of
an ambulance
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Shawn Lindsay
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forked lightening
out over the ocean
her warm fingers
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evening breeze
a white moth floating
in the dishwater
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pear slice falling
to the kitchen floor
pale moonlight
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Paul M.
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dark
the TV ignores
everything
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John Stevenson
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on the drive
there and back
a pine needle in the wiper
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French graffiti I drop a coin in the phone booth
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overdue my dead neighbor’s library book
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Michael Dylan Welch
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PAUL M. ant ant ant ant ant eight
October 3, 2011 § Leave a comment
A Fox Who Knows Too Many Tricks
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Indian Summer
a stick twisted to keep
the spider upright
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rehearsing a lie
the orange brilliance
of a poppy field
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explaining again
our two homes
snow drifts
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gray salamander
a childhood creek
through my fingers
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orange blossoms
years since I’ve been
bare-chested under the sun
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crunch of dried leaves
I am a fox who knows
too many tricks
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old steel town
snow heaped
beside the road
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pebbled beach
she turns away
to breastfeed
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snow begins to fall
the inappropriate things
she says sometimes
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paper white bulbs
the faint moon
in my thumbnail
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red oak leaves
a couple married late in life
holding hands
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moon just full
who drives
my old car now?
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snow-covered garden
a mental note
to wire money
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weekend alone
I lift the ficus
into a larger pot
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hoar frost
the old corner
with unmarked graves
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stairs down to the sea
a dandelion
with seeds intact
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tidal silt
the airport’s wind sock
blowing the other way
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long week’s end
a hint of red
in the pickleweed
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too late to pull it out
the white rump
of a clapper rail
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billion year old moon
an outgoing wave
reveals sand crab holes
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beads of pond water
on a lily pad
the impossibility of sunup
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called home
first crinkled leaves
on the maple tree
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commuter station
a bee lingers
in the tickweed
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rain to the north
a loose rung
on the lookout tower
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office window
they say no two snowflakes
are the same
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all these years later
the same pine bough
wet with rain
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irregular frame
of a tree fort
chimney smoke
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returning geese
her ashes still
in the plain tin
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our old field
each step
releases cabbage whites
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spring morning
flies return
to a crab carcass
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